Sing It Forward @ Vogue -- 12/21/11

Name your three favourite Vancouver bands. Chances are pretty strong that at least one of them was at the Vogue last night for Sing It Forward, an evening benefiting the kids of the St James Music Academy. Organized by David Vertesi and Ambrosia Humphrey, they brought together some of Vancouver's finest for a night of music.

Leading up to the night, there was also a series of videos posted on Vancouver is Awesome of the bands joined by the kids of SJMA for a song (see them all on their Vimeo channel), and these were shows throughout the night between sets.

As there were almost a dozen acts, each had a short set of three acoustic songs, so I won't linger too long on each act.

Arriving just in time for the last song by Aaron Nazrul of The Boom Booms, he was joined by just about the whole band for a song about East Van, where they're from. It sounded pretty much what you'd expect from The Boom Booms; upbeat and energetic.

Next up was The Belle Game, starting off with "Sleep To Grow", including a fantastic ending with Andrew Lee on trumpet. Even stripped down acoustically, the band had a lush, rich sound that seemed to fit perfectly for a theatre venue like the Vogue; I would love to see them do a full set there sometime. They wrapped up their set with "Shoulders and Turns" with a good number of the other musicians coming out for percussion to end with a bang.

Rococode was next, their raucous sound translating acoustically very nicely (the use of the xylophone definitely helped out with that). The songs -- "Empire" especially -- were no less catchy, and "Dreams" possibly worked even better as an acoustic song, being much more haunting stripped down, and getting the crowd to sing along for the end of it. 

Up next was the man of the night, David Vertesi himself. With just Andrew Rasmussen joining him on keys, he played some of the softer songs from his album; "All Night, All Night, All Night" and "Learn To Run", the latter building to an intensely emotional ending. He ended the set with a surprise guest, calling out Hannah Georgas to sing backups on "Mountainside", bringing up the energy a bit more to wrap up his set.

Ben, Tyler and Jacelyn of Said The Whale were up next, with Ben taking care of the vocals, since Tyler was still recovering from having his tonsils removed (seriously). Every year the band puts out a Christmas song or EP, and their set consisted solely of some of these Christmas songs, with the dreary "Puddleglum" being one of my favourites of the night. Even in a post-surgery haze, Tyler had pretty good energy, and Ben's great voice effortlessly filled the venue.

Wrapping up the first half of the night was Aidan Knight who started off with the most heartbreakingly beautiful song, "Margaret Downe", and even managed to break a string. At an acoustic show. After some of his usual hilarious banter -- a story about how his guitar got the name Burnt Reynolds -- and some deliberation, he played a brand new song and ended, of course, with "Jasper", bringing up all the kids on stage to sing with him.

At this point there was a short intermission, and then Adaline kicking off the second half. She had a bit of a auspicious start, as the keyboard she rented wasn't working, and the one they had been using all night wasn't ready. But she handled it like a champ, first encouraging the kids to continue on with music, then ready to sing a capella, with Robbie Driscoll on bass. Just as she started, though, they got the keyboard fixed and she was able to launch into her somewhat dark, sexy sound, starting with "The Noise" and then bringing out Laura Smith to help with background vocals for "Keep Me High", ending with her own Christmas song from the Light Organ compilation.

Next, Vince Vaccaro was out solo, armed with just his guitar. I've always found Vaccaro's music kind of hit or miss, personally, but I rather enjoyed his acoustic set, and I can't deny he is a pretty great performer. After his first song, he invited all the St James kids back on stage, and they helped out -- along with Ash from Hey Ocean and everyone's drummer Johnny Andrews -- for "Costa Rica" to wrap up his portion of the night.

Another surprise guest popped up between sets when Shad came out to fill the time before the next act with a couple freestyle verses, including his soliloquy from the end of "Live Forever"

Then it was the only non-Vancouver act, Michael Bernard Fitzgerald coming in from Calgary. After a new song, and teasing an upcoming album, he launched into "Movie Life", with a little but of "The Thong Song" (cleaned up a little, for the kids) slipped in at the end, and another new one with Vertesi -- and the kids back up on stage out to help out with singing. MBF is always incredibly fun to watch live, as he just exudes charisma, and you can't help but be charmed by him.

Zach Gray of The Zolas was the penultimate act, coming out with a couple new songs; "Strange Girl" and, after taking a survey of his own (which went about as conclusive as Aidan's) a brand new one called "Ancient Mars", which Zach described as a nerdy love song that he never played all the way through before. It had me at the first line, "I want to believe in time travel". He ended the set with everyone getting into "You're Too Cool", and some great singing along from the crowd.

And finally, wrapping up the night was Hey Ocean starting with a really cool version of "Big Blue Wave" -- which I may have liked even more than the full band version. They threw in their new Christmas song, which had the best intro; first Vertesi introduced in each instrument as they came in (including everyone's favourite holiday instrument: the keytar) and then brought out the awkward dancers, with the greatest dance moves of the year from Aidan Knight and Alex Andrew from the Belle Game. They wrapped it all up with the St James kids back on stage, and all other musicians as well, for a giant singalong to "Alley Ways", for a pretty great moment to end the night on.

It ended up being a four hour long night, but it hardly felt like it, as there was never a dull moment or a lull in the show. All the performers were top notch, and they kept the changeover times to a minimum, with the videos or the lovely emcees from The Peak keeping things running smoothly.

It would be cliché to call it a magical night, but there is hardly any better description, and I hope some variation of this turns into a yearly event.

The Peak Performance Project Finale with Vince Vaccaro, Said The Whale & Kyprios @ Commodore -- 11/18/10

Earlier this year, I asked "Where the hell do they go from here?", about the Peak Performance Project. I though there was no way they could live up to the first year. Well, overall... I think they more than surpassed it. There were more than a few bands that I either discovered, or gained a new appreciation for, after following the second instalment for the last five months. And I certainly do not envy the judges who had to make the final decision. Even though I disagreed with the top five on a few points, they were all fine talents that deserve the money. I hope the bands involved go on to keep doing what they're doing, and I hope The Peak continues to support them, even (or especially) the ones that didn't make the top five.
But on to the show itself. The top three artists -- Vince Vaccaro, Said The Whale and Kyprios -- all had a set to play before the awarding of the monies: $100,500 for first place, $75,000 for second and $50,000 for third.

Opening the show was Vince Vaccaro, as his band slowly filtered on stage, and he came out last, blowing the conch (not a euphemism). I was struck by his energy at his showcase show, and he somehow managed to be even more energetic last night. Though, not to sound like "that guy", but I fully admit I like his older stuff better. It has a bit of an East-Coast-Rocker vibe more than the Surfer-Rock his more recent stuff seems to have, so I was glad when he pulled out "Heart In Hands", his first song I heard, and still my favourite of his. That said, he and his backing band did the songs well, and had most of the crowd hooked, even getting a song-along to the oft-covered "Stand by Me" by Ben E. King (originally). While he may not have been one of my picks for the top three -- or even top five -- with a set like this, I can see why he made it.

The odds-on favourite Said The Whale was up second. Drummer Spencer was the only one suited up, but I might be able to forgive Tyler, since he was wearing Aidan Knight on his shirt (from a Christine McAvoy photograph, if I'm not mistaken). They started off with one of my favourites, "Love Is Art/Sleep Through Fire" before launching into "The City's A Mess", getting everyone clapping along. Like Vince, and Kyprios after them, they seemed to really step up their game and put on possibly one of the better sets I have seen from them. Most of their set was from their previous two records, but they slipped in a sort-of-new song, which they've been playing live for a while. I don't think they've ever named it, so I am going to arbitrarily call it "Information Age" It's called "We Are 1980" and it had a bit more of a synth-y edge to it. That, combined with their "Last Night" song (which they didn't play) makes me interested to hear more new material.
Near the end they called up damn near everyone from their fellow bands for their Peak viral video, "We Are The Music: Musicians for (spare) Change" which had many of the members come to help out on vocals and was a pretty amazing sight. They asked everyone to stay up for their standard closing song, "Goodnight Moon", turning the stage into a full on dance party.

Last, but certainly not least, was Kyprios, looking very dapper. He came out with a single spotlight on him and started beatboxing, for his ten piece band to slowly come in and join him. He took control of the stage immediately, with his Jazz-Hop or Swing-Hop sound with an energy that would be hard to match. His songs were not only insanely catchy, but his backing band, The Chaperones, are a damn hard working band. There were also a few songs that seemed to have an almost narrative, or stream of conscious flow to them, which I really liked. And hopefully I'm not just imagining it. Fellow PeakPP member Greg Sczebel came out and joined him briefly, and he also pulled out his Canadian cover from his Red Room showcase. Starting with a medley of various classic Canadian songs, it culminated with his version of "Sweet City Woman" originally by The Stampeeders. Near the end he passed out lighters, to be lit for a song for lost friends, and he ended the set with the insanely energetic "This Is My Hit".
All day I had been thinking Said The Whale was going to take it, but as soon as he hit the stage, I had a weird feeling that it would, in fact, be Kyprios taking home the oversized novelty cheque. And as his set went on, I became more and more convinced.

And then was the moment that the room (some more than others) had been waiting for, the winners. They announced third place first, which went to Vince Vaccaro, and went right to first place, not as a slight to second, but to give first place a bit more fanfare. And, as I am sure you are already aware of, Said The Whale took second place, and first place went to Kyprios. While I, honestly, would probably not have picked him as my number one, I can not argue that he doesn't deserve it. Especially after seeing his set. The room exploded with applause and confetti, though there were a few boo's, which, come on people. I know you wanted "your" band to win, but it not only makes you look like a jerk, but even makes the band look a little worse, too. Real classy. But that was only a small pocket, and the rest of the crowd was good about it.

It was a great end to an amazing competition, though it will be interesting to see the talent line up for next year. While the first year had a mostly unknown bands, this year had a good amount of bands that were already established. I know there was some criticism for some of those established bands being in the competition, so I'm curious to see if that will happen. Whatever the case, I can not wait to see how it goes, and I hope I can get as involved (if not more so) than I was able to this year. Thank you The Peak and Music BC!

And just for full disclosure, here are my personal picks. I thought Aidan Knight should have won the whole shebang, and my top five favourites were, in no particular order: Knight, Jess Hill, Said The Whale, Christina Maria and Adaline. That said, it was very hard to choose, as at least half of the bands I ended up really liking, and I don't think there wasn't a single one I flat out disliked.

The Peak Performance Project Showcase #1 @ The Red Room -- 09/09/10

The Peak Performance Project is a multi-year contest in which The Peak, along with Music BC, picks 20 BC musicians/bands a year and makes them stars.
Last year it was won by We Are The City, and they have barely slowed down since winning. This year it seems like the competition is a lot tougher; at least half the bands I have either liked before the contest, or have grown to like because of it. I definitely do not envy the judges on who should take it come November.
Part one of the project was a rock & roll boot camp where they went on a week long retreat where industry pros helped them refine their craft. Phase two is a series of shows at The Red Room, four artists a night for five weeks, each playing a 45 minute set, which includes a cover of a classic Canadian song. I always love it when bands play covers live, so that is one aspect I am definitely looking forward to. That, and seeing who everyone picks (I am going to keep a running tally on how many Neil Young and Leonard Cohen songs we get).

Going into the first showcase, there were two artists I was looking forward to seeing. The first of which being Jess Hill, whose voice I had fallen in love with the minute I heard "Orchard" on The Peak. She came out to kick the whole event off with an a capella song, only aided by stomps & claps, that really let her powerful voice shine. The band, which featured an electric upright bass and James Lamb on guitar, then kicked in for "Orchard" and were with her for the rest of the set. Her sound was sort of a folk sound, with a bit of an alt-country twinge, but it wasn't without an edge, or a bit of darkness to some of the songs. The style definitely played to her strengths, and she seemed to have a great sense of storytelling to the songs. Near the end she broke out into another a capella song, her commanding voice taking hold of the crowd (except for the annoying people in the back who talked the whole night) and then the band kicked in for a really incredible song, which I wish I got the name of. She also had a pretty good stage presence, confident in what she was doing, but also very appreciative to the crowd; slightly shy without being awkward at all.
For her cover, she explained that she didn't want to go for the obvious choice of Joni Mitchell, so decided to pick someone who shared her birthday. And then launched into "Cuts Like A Knife" by Bryan Adams. The fun part about covers is seeing an artist making it their own, and she not only did that, but I think I liked her version better than the original.
Going in to her showcase set, I had already liked her from the album, but after the set? Wow, just wow. She had definitely secured her spot in who I think should be the top five.

Next up was Bodhi Jones, who was actually in the project last year, and made it in for the second year. His sound was a little more of a folk-pop sound, and he definitely wasn't bad, but he just seemed to be missing a certain something. A few of his songs sounded a bit too similar and while they were not bland, they just kind of... were there. He did, though, look completely natural up on stage, and that was probably due to his relentless live playing, as he can often be found busking in Vancouver. An effortlessness surrounded him which did add to his performance.
There was one song near the end where he was joined by a cellist (whose name I am blanking on, but I believe she played with Broken Social Scene at Sasquatch) for a really emotional song about an addict friend, which was definitely the best of the set. Before his cover he mentioned that he didn't like playing them too much, and then went into "Old Man" by Neil Young (one), and did a decent version of it, but didn't really make it his own or anything. Much like his whole set, it was good, and he is an admirable player, but he was just missing something.

Vince Vaccaro was the other act I as interested in seeing, having been an idle fan of his for a few years. Meaning I have caught him live once for a free show, and have enjoyed his stuff on the radios, but never quite got around to picking up an album. The first thing that struck me was his energy. The man ran around stage like a squirrel with ADD, going into the crowd, even, barely slowing down for a minute. And the energy translated really well to playing live. For the beginning of his set, he had the electric out, and his sound seemed to be a bit more funk-infused; his Boot Camp Challenge song (which was to write a song around the title "Last Night") had a downright reggae flavour to it, but it was when he brought out the acoustic that I really got into it. Not to sound like "that guy", but I think I like his earlier material better, with songs like Heart & Hands, which he didn't play, having more of an East Coast Rock sound, something that you don't find much here (for obvious reasons). He did touch on that aspect of his sound, though, when he pulled out his cover song, "Uprising Down Under" by Sam Roberts -- which made me wonder how "classic" the song has to be. Don't get me wrong, that's one of my favourite Sam Roberts songs, but it is from four years ago. In any case, the beginning half of the song sounded almost identical, with Vaccaro playing softly on his guitar. But then the rest of the band kicked in to give the end a more rocking vibe, making it their own. It was quite a good set, and while I may not put Vaccaro in my top five, he would easily make the top ten.

Finally, wrapping up the night was Acres of Lions. I had heard a bit of them before the show, and to be blunt, I wasn't really into what I had heard, as it seemed to be a bit more pop-punk. But I had heard second-hand that their live show was fun, so I was open to it. And that it most certainly was. They, too, were full of energy, and effortlessly got the crowd into it and moving. Though they also had a little lack of diversity in their set, with most of their songs sounding like variations of the same. At one point, however, they mentioned something about a cancelled TV show before going into a song, then part way through, I think confirming that it was Firefly. I am not completely sure on that, but if it was... they earn major points from me. They also earn points for their choice of cover, "Never Surrender" by Corey Hart.
I'm not sure it's anything I'd want to listen to on a regular basis, but they did put on one hell of a live show, I'll give them that.

All around good performances, but for me, Jess Hill won the night. Best cover for sure, and as tough as it is to call, probably the best set. Next week is going to be a good one, and will be nigh impossible to judge, as there is Aidan Knight, Yes Nice, Debra Jean and Parlour Steps. Can't wait!

Rained Out Parade.

A free show. With Vince Vaccaro, Leeroy Stagger & Wide Mouth Mason. On the beach. Sounds all sorts of awesome, right? Well, it should have been... had it not been for the damn rain. It was on the roof of the Bathhouse at English Bay, which right away was an awkward set up. The bands were up playing on the roof, while everyone was standing down on the ground & the beach, so the "stage" was high up above everyone. So much so that you couldn't see anyone not at the edge of the roof. Like, say, the drummer. And you would think the promoters, planners or whomever would have looked at the forecast and thought "Hey, it might rain. Maybe we should have a backup plan instead of just leaving everything out in the open!" But no. It was kind of ridiculous.

Vince Vaccaro was first out at 630. I've been hearing Vaccaro for years now, and have always been interested to see him live, but I've just never got the chance, until now. Though, since he was scheduled for a short set, he only ended up playing for 20 minutes or so, getting 4 or 5 songs in.
The few songs, which included what is probably his most well known song, Heart & Hands, made for a good set, and got at least a few of the random people on the beach into it.

Then the rain really started coming down, with the thunderstorms starting up. They covered all the equipment in tarps and stood around for a while... before the rain eased up a little, or enough for Leeroy Stagger to go on. Though since he went on twenty minutes late, he got his set cut way short, only playing three songs. Which was incredibly lame. Though he did introduce the rest of his band as The Wallflowers, and I am pretty sure he said on drums was Ian Browne, so that was kind of cool. If only I'd been able to actually see him. Or hear more than three songs.

After his set, the rain came back, with a vengeance, and lightning flashing in the sky every few minutes. Eventually, they got the brilliant idea to cram everything under the one tent-thingie they had up on the roof for Wide Mouth Mason to play. Again, you'd think they would have more than the one....
Going on late, their set was cut short too. They only played a handful of songs, mostly just the singles and more well known songs. And, of course, some which were quite appropriate, like This Mourning ("And I'll sing to the rain is gone"), Rained Out Parade and Midnight Rain.

I don't blame any of the musicians for this, as they did they best they could under the circumstances. I blame the promoters and organizers for their complete lack of preparedness and ability to look at a forecast. Or up at the doomy looking clouds in the sky. Though, it made for a few cool moments, where a band would be playing and you see a bolt of lightning shoot across the sky behind them.
Ultimately, though, it was still somewhat of a disappointment. I'd been wanting to see both Vaccaro and Stagger for a while, so that was a crushing defeat. I'm just glad WMM will be back in October (for the show that was supposed to be in June, but was postponed) and hope the others will be back soon.