Michael Bernard Fitzgerald w/ Acres of Lions @ Performance Works -- 02/24/12

This weekend marks the seventh annual Winterruption Festival, a celebration filled with food and performance and arts and dance and music on Granville Island. And do they ever have some amazing music this entire weekend, with free shows during the day and a couple nifty looking double bills in the evenings, like Michael Bernard Fitzgerald with Acres of Lions last night.

Acres of Lions kicked off the night with fill-in-drummer Cody Beer joining Jeff Kalesnikoff on guitar and vocals, Tyson Yerex on guitar & keys, and Dan Ball on bass. They started with "Let's Get Sentimental" from their debut album, and the ridiculously catchy "Reaction" came early on in the set with Jeff  getting everyone to clap and "Ba Baa" along. They slowed down a bit for the Firefly-inspired "Best Day Ever" before rocking the rest of the set, with upbeat and infectious songs like "Kids" and "Closer", before ending with another slower one, the title track off their most recent album, Collections.
While they're not reinventing the pop-rock genre, their live show is just flat out fun; the whole band has a great energy and stage presence, immediately filling the dance floor and getting the crowd to sing and clap along to a few songs.

Not long after, Michael Bernard Fitzgerald hit the stage with a nice sized band including a horn section (whom he introduced as "The Horny Boys"), a pair of drummers, and more. He started off with "Movie Life" and his brand new single, "Follow", playing a good number of songs from his upcoming album and EP, both titled Yes; Side A and Side B respectively. The new stuff sounded much like you would expect, pop-ish with a hint of soul, and the full band gave it a nice, fleshed out sound. It definitely got me interested to pick up the album(s).
MBF also has a great stage presence, genuinely nice and humble, and an effortless charm. He did things like give out his phone number, so everyone could be "text friends" and when there was a bit of a delay, when he had to change and restring his guitar, he kept the flow going with his backup band playing, and then bringing a fan on stage to demonstrate CPR through dance (no, seriously).
Highlights of the set were the aptly named "Firecracker", which was one of my favourites of the night, and the older "Brand New Spaces", with everyone stomping & clapping along, and ending with a medley of top 40 covers including Sysco, Flo Rida, and LMFAO. And those weren't the only covers in the set, he had a few more throughout; Paul Simon's "The Obvious Child" early on, The Boss's "Dancing in the Dark" to end the main set and "Call Your Girlfriend" by Robyn in the encore.

Both bands of the night put on incredibly fun sets, and they were a perfect match for a night of good music. And speaking of another perfect match, I am definitely looking forward for Winterruption to continue tonight with Aidan Knight & The Belle Game at Performance Works.

Sing It Forward @ Vogue -- 12/21/11

Name your three favourite Vancouver bands. Chances are pretty strong that at least one of them was at the Vogue last night for Sing It Forward, an evening benefiting the kids of the St James Music Academy. Organized by David Vertesi and Ambrosia Humphrey, they brought together some of Vancouver's finest for a night of music.

Leading up to the night, there was also a series of videos posted on Vancouver is Awesome of the bands joined by the kids of SJMA for a song (see them all on their Vimeo channel), and these were shows throughout the night between sets.

As there were almost a dozen acts, each had a short set of three acoustic songs, so I won't linger too long on each act.

Arriving just in time for the last song by Aaron Nazrul of The Boom Booms, he was joined by just about the whole band for a song about East Van, where they're from. It sounded pretty much what you'd expect from The Boom Booms; upbeat and energetic.

Next up was The Belle Game, starting off with "Sleep To Grow", including a fantastic ending with Andrew Lee on trumpet. Even stripped down acoustically, the band had a lush, rich sound that seemed to fit perfectly for a theatre venue like the Vogue; I would love to see them do a full set there sometime. They wrapped up their set with "Shoulders and Turns" with a good number of the other musicians coming out for percussion to end with a bang.

Rococode was next, their raucous sound translating acoustically very nicely (the use of the xylophone definitely helped out with that). The songs -- "Empire" especially -- were no less catchy, and "Dreams" possibly worked even better as an acoustic song, being much more haunting stripped down, and getting the crowd to sing along for the end of it. 

Up next was the man of the night, David Vertesi himself. With just Andrew Rasmussen joining him on keys, he played some of the softer songs from his album; "All Night, All Night, All Night" and "Learn To Run", the latter building to an intensely emotional ending. He ended the set with a surprise guest, calling out Hannah Georgas to sing backups on "Mountainside", bringing up the energy a bit more to wrap up his set.

Ben, Tyler and Jacelyn of Said The Whale were up next, with Ben taking care of the vocals, since Tyler was still recovering from having his tonsils removed (seriously). Every year the band puts out a Christmas song or EP, and their set consisted solely of some of these Christmas songs, with the dreary "Puddleglum" being one of my favourites of the night. Even in a post-surgery haze, Tyler had pretty good energy, and Ben's great voice effortlessly filled the venue.

Wrapping up the first half of the night was Aidan Knight who started off with the most heartbreakingly beautiful song, "Margaret Downe", and even managed to break a string. At an acoustic show. After some of his usual hilarious banter -- a story about how his guitar got the name Burnt Reynolds -- and some deliberation, he played a brand new song and ended, of course, with "Jasper", bringing up all the kids on stage to sing with him.

At this point there was a short intermission, and then Adaline kicking off the second half. She had a bit of a auspicious start, as the keyboard she rented wasn't working, and the one they had been using all night wasn't ready. But she handled it like a champ, first encouraging the kids to continue on with music, then ready to sing a capella, with Robbie Driscoll on bass. Just as she started, though, they got the keyboard fixed and she was able to launch into her somewhat dark, sexy sound, starting with "The Noise" and then bringing out Laura Smith to help with background vocals for "Keep Me High", ending with her own Christmas song from the Light Organ compilation.

Next, Vince Vaccaro was out solo, armed with just his guitar. I've always found Vaccaro's music kind of hit or miss, personally, but I rather enjoyed his acoustic set, and I can't deny he is a pretty great performer. After his first song, he invited all the St James kids back on stage, and they helped out -- along with Ash from Hey Ocean and everyone's drummer Johnny Andrews -- for "Costa Rica" to wrap up his portion of the night.

Another surprise guest popped up between sets when Shad came out to fill the time before the next act with a couple freestyle verses, including his soliloquy from the end of "Live Forever"

Then it was the only non-Vancouver act, Michael Bernard Fitzgerald coming in from Calgary. After a new song, and teasing an upcoming album, he launched into "Movie Life", with a little but of "The Thong Song" (cleaned up a little, for the kids) slipped in at the end, and another new one with Vertesi -- and the kids back up on stage out to help out with singing. MBF is always incredibly fun to watch live, as he just exudes charisma, and you can't help but be charmed by him.

Zach Gray of The Zolas was the penultimate act, coming out with a couple new songs; "Strange Girl" and, after taking a survey of his own (which went about as conclusive as Aidan's) a brand new one called "Ancient Mars", which Zach described as a nerdy love song that he never played all the way through before. It had me at the first line, "I want to believe in time travel". He ended the set with everyone getting into "You're Too Cool", and some great singing along from the crowd.

And finally, wrapping up the night was Hey Ocean starting with a really cool version of "Big Blue Wave" -- which I may have liked even more than the full band version. They threw in their new Christmas song, which had the best intro; first Vertesi introduced in each instrument as they came in (including everyone's favourite holiday instrument: the keytar) and then brought out the awkward dancers, with the greatest dance moves of the year from Aidan Knight and Alex Andrew from the Belle Game. They wrapped it all up with the St James kids back on stage, and all other musicians as well, for a giant singalong to "Alley Ways", for a pretty great moment to end the night on.

It ended up being a four hour long night, but it hardly felt like it, as there was never a dull moment or a lull in the show. All the performers were top notch, and they kept the changeover times to a minimum, with the videos or the lovely emcees from The Peak keeping things running smoothly.

It would be cliché to call it a magical night, but there is hardly any better description, and I hope some variation of this turns into a yearly event.

Michael Bernard Fitzgerald w/ Steph Macpherson @ Biltmore -- 02/09/11

It feels like forever since I had been to a live show (it was really only a week and a half), so it was nice to break the drought with a double bill like this.

Steph Macpherson hit the stage a little after nine, with a full band in tow -- among them Garth from 41st & Home on drums and Adaline on backing vocals. It was the first time I had seen her with a band since her Peak Performance Project show (which was, incidentally, the first time I saw her at all). As much as I've enjoyed her acoustic shows have been, having a full band added a nice depth to the songs. She started the night off with the title track from her EP To You, and hit all of the songs off of it.
Steph looked completely natural on stage, getting the crowd to stomp-2-3 snap-2-3 along with "Something In You" and clap along to a few others. Another highlight of the set was the heartwrenching "Letters" -- it's such a simple line, and maybe it's just the way it's sung, but I've always been struck by the lyric "caught me on the exhale".
She ended the set with the backup singers donning sailor hats and a song that I think was called "Summer Salute", which was a great song; quite a bit more upbeat than the rest of the set.
I liked Steph's music well enough the first time I saw her, but I think the more I see her live, the more I am liking it. And it's always interesting, as each time I've seen her, there has been a different arrangements of musicians and instruments on stage.

And headlining the night was Michael Bernard Fitzgerald. I really liked his set at Live at Squamish, and I had been looking forward to seeing him since. His band, which had some double drumming action, was all matching in white shirts and black suspenders; a bit of a contrast to MBF's basketball jersey.
With a great and energetic stage presence, MBF had the crowd eating out of his hand, especially the female contingency. From the beginning, people were dancing, clapping and singing along, with MBF even encouraging the odd make-out or two.
Midway through the set, the band took a break and MBF played a few on his own, but they were back soon enough for a cover, and a pretty good one at that, of "Dancing In The Dark" -- though no one was brought on stage to dance, Courtney Cox style. He followed that with "Movie Life", which sadly did not include his looping vocals, but did include a pop song medley at the end, which has, among others, "Thong Song", "Waterfalls", "Get Low", "I Like Big Butts" and was capped off with a little "Bed Intruder".
He brought the set to and "end" with "Brand New Spaces", getting everyone to join in on the stomping & clapping that went along with it, but was back out moments later for a brief, one song encore.
In contrast to what I said about Steph, I think I liked MBF's solo set from Squamish a little more than the full band, but I will definitely make sure to catch him next time he comes through town, regardless.

As I said above, it was a good way to end a dearth of live music drought, and a great way to kick off the abundance of shows coming up in the next week -- something like six in the next seven days.