Brasstronaut @ Performance Works -- 06/27/11
It's that time of year when Vancouver International Jazz Festival is in full swing. And while I have missed more of the shows than I would have liked to, one of the two shows I knew I didn't want to miss Brasstronaut at Performance Works on Granville Island. (The other is The Tom Fun Orchestra at David Lam Park, this coming Sunday at 8:45. It's free, and you need to be there.)
They took the stage as the emcee asked us to "give a warm welcome to... the... brass-tronaut" and launched into "Requiem for a Scene". It was their second of two back-to-back shows of the night, but that just means the band had a longer chance to warm up. Any kinks they may have had were worked out, and they sounded better than ever. The songs were all very tight; the fast ones pounding through you, the slow washing over you, and everything in between. Some of them got longer and cooler intros, like "Hearts Trompet" which got a spacey, ethereal intro -- fitting since it was played on the Space Clarinet.
There were also a few new songs thrown in; one that they introduced as unnamed (but was "Hollow" on the setlist) sounded very dark, both musically and with the echoing vocals. They sounded really cool, and I am definitely looking forward to their next release.
The whole band also seemed a lot looser on stage, as there was more banter and joking around than any of their other shows, which was great. They engaged the audience (sometimes individually) and had a few funny stories. That, combined with the great sound at Performance Works, culminated to probably the best show I have seen them play yet.
setlist (as stolen from the scrap of paper on stage)
requiem for a scene, hand behind, six toes, hollow, hearts trompet, bounce, insects, lo hi hopes, Fan, JT.
(encore) old world lies, slow knots.
They took the stage as the emcee asked us to "give a warm welcome to... the... brass-tronaut" and launched into "Requiem for a Scene". It was their second of two back-to-back shows of the night, but that just means the band had a longer chance to warm up. Any kinks they may have had were worked out, and they sounded better than ever. The songs were all very tight; the fast ones pounding through you, the slow washing over you, and everything in between. Some of them got longer and cooler intros, like "Hearts Trompet" which got a spacey, ethereal intro -- fitting since it was played on the Space Clarinet.
There were also a few new songs thrown in; one that they introduced as unnamed (but was "Hollow" on the setlist) sounded very dark, both musically and with the echoing vocals. They sounded really cool, and I am definitely looking forward to their next release.
The whole band also seemed a lot looser on stage, as there was more banter and joking around than any of their other shows, which was great. They engaged the audience (sometimes individually) and had a few funny stories. That, combined with the great sound at Performance Works, culminated to probably the best show I have seen them play yet.
setlist (as stolen from the scrap of paper on stage)
requiem for a scene, hand behind, six toes, hollow, hearts trompet, bounce, insects, lo hi hopes, Fan, JT.
(encore) old world lies, slow knots.