The Harpoonist & The Axe Murderer @ Vogue Theatre -- 06/27/15

For the last week and a half, the Vancouver International Jazz Festival has descended upon the city with hundreds of bands across dozens of venues around the town, both free and ticketed shows. And you can't accuse the jazz fest of having too narrow a focus; the long running festival brings more than just the titular genre to Vancouver. Last year two of the Jazz Fest shows I caught were Royal Canoe and Yamantaka // Sonic Titan, and last night they presented two of the finest blues/roots rock bands the city has to offer. 

Read More

Royal Canoe @ Fortune -- 06/21/14

Two days into the Vancouver International Jazz Fest, and they've already shown me two of the best shows I've seen so far this year. Last night it was back to Fortune for one of my favourite groups to see live, Royal Canoe. It had been a while -- since before the release of their new album Today We're Believers -- but I was glad to see them back, especially on a stage that could hold all of their equipment and persons.

Starting off the night, however, was hometown band Copilots. With kind of a droning rock sound, they teased songs from an upcoming album, but a lot of them had the same vibe, and the lead singer's vocals were a little buried. The set didn't really do much for me -- aside from one song near the end, introduced as their dancey-song -- and can be summed up in their last song, a ten+ minute song that just kind of meandered through different sounds and dragged on to end the set.

As soon as they finished, the guys of Royal Canoe hit the stage to set up their stage-full of equipment; dual drums, mountains of keyboards and synth, a whole table for effects pedals and more, the six-piece band always fills the stage. Leading off with the high energy "Show Me Your Eyes", and by the second song, "Hold On To The Metal", the crowd was already clapping and singing along. In fact, it was a great crowd overall, lots of singing & clapping, and "recognition whoos". None more so than the massive "Bathtubs", one of the highlights.

I've said before, Royal Canoe is one of the best and most interesting bands, especially to watch live, with a vast range of sounds and influences reigned in to one great electro/pop/rock sound. And they proved it again with a set focused on the new album (and its preceding EPs), ranging from the soft and introspective "Exodus of the Year" to the R&B flavoured "Summersweat".

They finished off the set with Matt Peters' distorted vocals on "Nightcrawlin'" but were called back for one more from the crowd, a fantastic cover of the 90s R&B jam "No Diggity" by Blackstreet. I always like it when bands do something fun and unexpected with the obligatory encore -- aside from just another couple songs -- and this was a perfect example of that.

I've seen them a half a dozen times now, and while they have always blown me away, this was by far the best show I've seen from the Winnipeggers. They were tight with an amazing energy, feeding off the crowd's enthusiasm and giving back tenfold.

setlist
Show Me Your Eyes, Hold On To The Metal, Just Enough, Exodus Of The Year, Stemming, Bloodrush, Summersweat, Birthday, Bathtubs, Button Fumbla, Nightcrawlin'.
(encore) No Diggity [Blackstreet cover]

Yamantaka // Sonic Titan @ Fortune -- 06/20/14

It's that time of year again, the Vancouver International Jazz Fest descends upon the city with hundreds of bands across dozens of venues around the town, both free and ticketed shows. And the first night kicked off with I band I have been wanting to see for a couple years now, but have always eluded me. Fresh off their Polaris Prize Long List nomination for their new album Uzu, Yamantaka // Sonic Titan.

The opening act was Vancouver's Sun Killer. Their instrumental jazzy songs flowed and weaved through the set as the venue filled. Being an instrumental band, there was no vocal mic on stage, so when guitarist Tom Wherrett talked between songs or introduced the band, it was unamplified and a bit weird. But the songs themselves were pretty engaging, and they were an interesting opening act.

It wasn't long after before Yamantaka // Sonic Titan hit the stage, and right off the bat, their whole set screamed "theatrical". From the costumes and the kabuki facepaint to the lighting and smoke, their flair for the dramatics was apparent, which fit perfectly with their self-described "noh-wave" art rock.

They hardly said a thing through the set, instead letting the music speak for itself. The soaring songs were driven by Ruby Kato Attwood's strong vocals, which were backed up by drummer Alaska B, and Ange Loft's almost entirely wordless vocals, her amazingly powerful voice filling the room even when she was off the microphone.

They opened with "Reverse Crystal // Murder of a Spider", a cacophonous opening leading into an intense song, which gave way to a set focused mostly on their new album Uzu. Highlights included "Atalanta", which lead into a song that would be perfect as a soundtrack for an epic cinematic battle, "Whalesong", as Attwood danced with some fans (literal fans, not audience members), and "Hall of Mirrors", that included an eerie & haunting almost spoken work interlude from Loft, and was punctuated with Alaska B's drumming so intense it pulsated through your chest.

After the raging "One" from the new album, they closed out with "Hoshi Neko" off their self-titled debut, building to a chaotic climax of intense noise, to end off an a simple incredible set. I had heard many great things about their live shows, and they lived up to every expectation. I can't wait until they inevitably grow out of the smaller, club venues, as they would sound so amazing playing larger, theatrical venues.

setlist
Reverse Crystal // Murder of a Spider, Queens, Lamia, Windflower, Hall of Mirrors, Atalanta, Whalesong, A Star Over Pureland, One, Hoshi Neko.

Wil @ Electric Owl -- 06/25/12

It's that time of year when the Vancouver International Jazz Festivaltakes over the town. I am planning on a few shows this year, but the first of which is a musician I first saw sever or eight years ago, and was instantly mesmerized by. Wil (full name Wil Mimnaugh) lives up to his website name, ibreakstrings.com, with the habit of breaking strings right off his guitar from the intensity of his strumming. I hadn't had the chance to see live in far too long, so I was more than a little excited for the show.

It was an early show, and first up was Bocephus King, who had an upbeat, bluesy sort of sound. With King on guitar and vocals, joined by Paul Townsend on drums and Robin Layne on percussion, with a variety of shakers and noisemakers, they seemed very natural and fluid, almost as if it was improvised right there, and the way the band meshed was incredible, as they melted genres together flawlessly. 
Part way through the set they were joined by Skye Wallace, with her soft voice helping out with vocals and the set was brought to an end with a song that started soft and built to a great ending, and even featured a bit of flute. 
It was amazing to watch all the songs come together live, and any other night, there is a strong possibility that they would have stolen the show.

Not long after Wil took the stage, just himself, and Kevin Haughton on drums. His fast-hands on the acoustic guitar and rough, soulful voice filled the room and his passion for playing was immediately apparent, as the music seemed to flow out of him effortlessly for the entire set. Clocking in at nearly two hours, Wil played songs spanning the years, from the heart-wrenching "Oak Tree" off his newest album, Heart of Mine, all the way back to the first song he wrote, "Both Hands", switching occasionally from a normal microphone to an old microphone. the "shitty phone call mic" as he called it.
The first broken string of the night came during "Roam", a song written for the Travel Alberta board, and after picking up his backup guitar -- which had a visible arc of wear and tear from how intense he plays -- he broke yet another string a couple songs later. At that point he decided to end the set with one more song, written because of his frequent string breaking that both requires and is titled "4 Strings", an instrumental that was among one of the most impressive displays of guitar playing I have witnessed.
He was set to wrap up the set with that, but was informed he still had more time if he, and the crowd,  wanted; and with an overwhelming response, he got what may have been an actual, legitimate encore -- though only after a short, ten minute break to re-string his guitars.
When he returned he took a few requests, breaking his third and final string of the night with "The Deal", and switching to his backup to end off the set with an older one, "Sweet Rebecca" and finally finishing off the night with the amazing and intense "Honey Pie".

For years, Wil has been one of my favourite guitar players, especially to watch live, and this show did nothing but remind me why. The "breaking strings" thing may seem gimmicky when heard about second hand, but it never feels forces, like he's actively trying to break them, and it only takes watching him perform live once to become a lifelong fan.

And as for the fate of the broken strings, they don't just wind up in the trash. Several years ago Wil's wife Caroline started making jewellery out of the discarded strings, and at the merch booth -- or online -- you can buy bracelets, necklaces and earrings made from broken guitar strings.

setlist
Rain On, Gold, Wedding Dress, Oak Tree, Tell You Twice, Both Hands, Roam, If You Want Me Too, Ride, 4 String.
(encore) The Deal, Baby Baby, Sweet Rebecca, Honey Pie.