The Liptonians w/ Rococode and Jean-Paul De Roover @ Joe's Apartment -- 04/08/11

After hearing phenomenal things about The Liptonians live show, and with the album growing on me the more I listen to it, I was ridiculously excited to see them for the first time last night. Especially with Rococode opening. And I'll get to that in a moment, but first, a bit of a rant...
This was the second time I have seen a show at Joe's Apartment, and I'm starting to form an opinion on the place. The sound is decent enough, but what really bugged me was the TVs. It was cool before the bands were playing, when Indiana Jones was on, but then they didn't turn the movie/screens off when the music starts. And then when they switch to dumb comedies after Indy? It's hard to keep focused on the bands when there is slapstick comedy and nudity and Borat happening on screens right next to the stage, right next to performers heads sometimes. It actually seems a little disrespectful to the bands.
But I digress, on to said bands.

Starting off the night was Jean-Paul De Roover. He took the stage alone but was soon joined by himself, with liberal use of looping. At first I thought it would get a bit much, but used more than just the guitar, adding elements like synth and even some vocal work as well. It's always cool to see people looping that masterful, so it was a fun set to watch, and his songs were pretty catchy. While I wasn't necessarily blown away, I wouldn't mind seeing him again next time he's through town.

Next up was Rococode, and I was a little surprised to see the full band, as I was under the impression it was an acoustic set (see above poster). But I was in no way disappointed; I've seen them a few times in the last few months, and am continually impressed. There was a bit more banter and chatting in between songs than previous sets, but they were still content to let most of their songs do the talking, including the incredibly infectious "Empire" -- which always gets stuck in my head -- the haunting "Dreams" and the first single from the upcoming album, "Weapon", which is already getting some radio play. They brought the set to an end with a song I didn't catch the name up, but came to a bombastic finish, for a great ending to the set. I am definitely looking forward to the new album with each time I see them live.

And finally, it was time for The Liptonians. The first thing I noticed was no actual horn section, but they had it covered with canned horns. The second thing was all the hype about them being a fantastic live band was completely true. They played a sort of condensed version of their album, started off with their lead single "You Know I Did" before going into two of my other favourite songs on the album, one being the raucous "Growing Old In The City", a fantastic song live, which included a garbage can lid being played. The combination of the band's great chemistry, nailing the harmonies, and stage presence, getting the crowd to clap along for "Perfect Swimmers", helped them command the stage from beginning to end.
The set came to a close with the beautiful "Lesage" and the album closer, "Let's March back Into The Sea", as they played right up to the curfew with no encore.
Which leads me to my only complaint, other than the lack of live horns, which would be that the set was way too short! They only played for about half an hour before getting cut off by the curfew so the shiny shirts could take over the place. I can only hope that sooner rather than later (and at a better venue) they will march back into Vancouver.

setlist
You Know I Did, Hey! Hey! Help Is On The Way!, Growing Old In The City, The Privatest Parts, Perfect Swimmers, Lesage, March Back Into The Sea.

The Mountains & The Trees @ St James and Jess Hill @ Joe's Apartment -- 03/24/11

It was a busy Thursday (really? Thursday?) in Vancouver with no less than four shows worth checking out. Aaide from a fundraiser for Said The Whale at Wise Hall and The Golden Dogs at the Biltmore, there were two acts I wanted to see. Luckily, the two people I wanted to see were staggered enough that I was able to venue hop and see both.

The first? Jon Janes, aka The Mountains & The Trees from Newfoundland. He was on first for an early show at St. James Hall, just him and his guitar (and, his kickdrum suitcase for a song). He played an all-too-short set of about half an hour of his folk-y, singer-songwriter songs. 
Starting the set with a new song that he wrote last time he was in Vancouver -- that I didn't catch the name of -- he alternated between old and new songs, with the highlights being a new song, "Oh Heart", that was incredibly heart wrenching, and the closing song, "Up & Down", a song that is really cool to see live, with his excellent use of looping and a bow to play guitar.
There were a few times in the set where you could tell he was battling an illness, but it wasn't so much during the songs, mostly in his banter -- which was no less charming and amusing. 

setlist
[new song], Little Town, Oh Heart, More & More & More, Winter Blues, Up & Down.

I had some time before the next show, so I was able to catch the next act, The Phonemes. Or, simply just Magali Meagher. She had a pretty nice voice, and a good folky sound, with some catchy tunes. She, too, played for about half an hour, and mid way through traded her guitar for the grand piano that was on stage for a song, bringing out Laura and Mark to help out. She went back to the guitar and Jon joined the three of them for a some with nifty crowd participation; everyone was given pieces of newspaper before the set and everyone clapped along with crumpled newsprint. They staryed out for her last song, which was a more energetic number and probably the best of the set.

Though I was a little sad to miss Laura Barrett and Woodpigeon, it was then time to head over to Joe's Apartment (yes, an actual venue, not the dwelling of Joseph). This was the first time I had been there for a live performance, and it was a pretty decent venue.
The show was the CD release of Orchard, the new album from Vancouver's Jess Hill. She went all out with a full band, which even included some strings and a foley guy for random sound effects. The set consisted of most of her new album, which the band did a fantastic job of recreating;  Her powerful voice blended excellently with the great string arrangements.
Highlights were the song that first hooked me on Jess Hill, "Orchard", the building intensity of "Stagger" and the eerily haunting (pun fully intended) "Give Me Your Ghost", with included a saw for added atmosphere.
She ended the set with a pair of songs I have seen a few times, but never seem to catch the name of (so for the sake of why not, I'll call it "Digging A Hole") the first just her singing, and getting the crowd to scream at a couple points, then launching into a fast paced closer.
Jess also had great charisma on stage, with some charmingly-nervous banter and story telling, giving the night a real intimate feel. None of the venues I've seen Jess in have been all that big, but I have a feeling she would be able to make a room of any size feel as intimate as a coffee house.

I've seen Jess Hill a few times since finding out about her through the Peak Performance Project last year, and I would definitely say it was the best show I've seen her play. Combined with The Mountains & The Trees earlier, it was a a great night of country-spanning music.


setlist
A Common Bird, Of A Shadow, Apple Tree, Orchard, Give me Your Ghost, An Open Letter To My Heart, In The Evening, Stagger, Don't Cry, Grow.