Sing It Forward @ Vogue -- 01/10/13

A year (and change) ago, David Vertesi & Ambrosia Humphrey brought together nearly a dozen of the finest musicians from the local scene for the first Sing It Forward, an evening benefiting the kids of the St James Music Academy. It was such a huge success that they decided to do it again this year, with a lineup no less impressive.

Trimmed to eight from last year's eleven -- which made the pacing of the show much nicer -- each act played a short acoustic or stripped down set, with quick turnovers. There were also a few videos playing between sets, usually showing the bands either interacting or playing songs with the kids from the academy, showing their effort to support the kids went deeper than just playing at the show.

Starting off the night was Andy Huculiak and Cayne McKenzie, two thirds of We Are The City. They played a couple new songs, teasing their upcoming album, which were amazing. Dark and moody, but quite catchy; definitely had me excited to hear the full thing. They ended with "That's All" from their most recent EP, High School.

Victoria's Aidan Knight was up next with part of his band, Julia Wakal & Olivier Clements (jokingly dubbing themselves "The Aidan Knight Chamber Trio Orchestra"). They played mostly newer songs, from last year's Small Reveal, starting with "A Mirror" and then the contemplative "Master's Call", and then getting everyone to hum along to the end of "Magic Cupboards".

Next up was the combined forces of Hannah Georgas and Mother Mother's Ryan Guldemond. Starting with Hannah's "Enemies" and then Ryan's "I Go Hungry", they traded off songs, backing each other up. They also brought out some help, first Hannah bringing out Shad to sing backup on "Waiting Game" and they wrapped up their portion with all the kids from the St James Music Academy coming out to join in on (a slightly cleaned up version of) Mother Mother's "Bit By Bit"

The first half of the night ended with a secret surprise guest, none other than Dan Mangan. He played a couple songs, first flanked by Vertesi and Knight for a cover of David Bazan's "Strange Negotiations" and then the SJMA kids joining him for "Oh Fortune", the line "nice to have the kids around" being especially poignant and heartwarming.

After an intermission, the SJMA kids came back for a song of their own, and then slam poet  C.R. Avery took the stage. First showing off his unique harmonica beat boxing, then taking a seat at the keyboard for a song. For his last song, he was joined by Hey Ocean's Andrew Rasmussen on the keys for more of a spoken word number.

Shad was up next with one of the best moments of the night; he was joined by Vertesi and Andy & Cayne as his backing band for a great remix of We Are The City's "Happy New Year". They stayed to back him up for his own song, "Exile", and then he ended his set alone, with the spoken word soliloquy from the end of "Live Forever"

An acoustic Yukon Blonde was up next, joined by Matt Kelly on keys. Their usually high energy set was calmed down, but no less impressive, especially their stellar harmonies. They played some of their mellower songs, "Loyal Man" and one they said they don't get to play too often, "Guns".

And finally, wrapping up the night was Hey Ocean! After starting with "Big Blue Wave", they kept the collaborative spirit of the night going, with Shad and Avery joining them for "Vagabond", then as they went into a cover of Arcade Fire's "Sprawl II", The Aidan Knight Chamber Trio Orchestra jumped on stage to join them joined them. Finally, they invited not only the kids, but all the musicians of the night back on stage for a cover of Annie Lennox's "Walking On Broken Glass" for a huge, heartwarming ending.

I said on my blog post for the last one "It would be cliché to call it a magical night, but there is hardly any better description", and that rings true to this year as well. It was an amazing night, with everyone from the musicians to the venue donating their time and effort, so all the proceeds could go towards the SJMA, and I can only imagine what it must have been like for the kids themselves who were involved.

Vancouver Folk Music Festival: Day One -- 07/15/11

For the last few years, I have been wanting to go to the Vancouver Folk Music Festival, but have just never had the chance. This year changed all that, and it was my first ever trip. I was excited, despite the predicted weather, to take in the whole festival, and especially for a few of the bands playing, including the headliner for the first night.
And since I have three days and dozens of artists to cover, I will try to keep things brief.

Arrived a little after six to find space at the Main Stage, hosted by Lana Gay & Tariq Hussain of CBC Radio 3, in time for Freshlyground, a passionate afrobeat from South Africa. Put on a fun and energetic set, getting most people up and dancing for their final song, "Waka Waka (This Time For Africa)", from the 2010 World Cup.

The main stage also had "tweener" acts, which were short, usually acoustic sets to fill the time between main acts. The first tweener I saw was The Burning Hell. With seven members crammed into a small corner of the stage, they played a couple songs and were, as usual, entertaining and funny.

The next main act was Justin Townes Earle, joined only by a stand-up bass. He had a bit of a country twang to his songs, and was an incredible guitar player, using no looping or effects (other than a little reverb), as well as a storyteller, both in his songs and in his stage banter; he had a great personality and stage presence.

CR Avery was the next "tweener", with some slam poetry and harmonica beatboxing (you read that right). Aside from that, he had a couple of more mellow, folk-y songs and ended his short set leading the crowd in a song along.

Next out was Gillian Welch, with David Rawlings backing her up on guitar. She had a really nice voice and both her and Rawlings were great on guitar, which they played for most of the set, but occasionally pulled out the banjo and harmonica a few times; once even for the same song with Welch joking that they are the two most abrasive instruments, and she decided to put them together.
As the set progressed, they got more and more chatty and joked around between songs, and they even came back out for an encore of "I'll Fly Away". She was a great musician, but perhaps a little too country-ish for my tastes, and so her set seemed to go on quite long, but was still quite enjoyable.

The final "tweener" was Imaginary Cities, with Rusty & Marti coming out for a quick acoustic set including the massively infectious "Hummingbird" and a cover of Cake's "Mexico". I hadn’t seen them live before, and this was cool, but just a teaser for their full show tomorrow.

And finally, it was time for Joel Plaskett Emergency. It was almost exactly two years since I had last seen Joel, so I was more than a little excited. The Emergency was pretty minimal, as Joel was just backed by drums & bass, but that didn't mean they were not going to completely rock out.
The set spanned most of the Emergencies catalogue, kicking off with "Come On Teacher", and even included a couple new songs, one called "I’m Yours" and one that he didn't name (but I will dub "Lightning Bolt"), which was absolutely amazing; and mark my words, when it's recorded, it will be his next huge hit. Part way through the set the band stepped out for Joel to do a couple on his own, but came back gradually for  "Rollin', Rollin', Rollin'" and the rest of the set.
Throughout the show, Plaskett proved time and again what an amazing performer he is, with great presence and some of the best storytelling, especially on things like "Work Out Fine" where he wove a story of his old cat Whitefang throughout the song.
They "ended" with everyone singing along to "Nowhere With You" and "Extraordinary" before the encore, with a trip back in time to 1999 for Thrush Hermit's "From the Back of the Film", which was an amazing way to end off the night, and the first day of the festival.

setlsit
Come On Teacher, Through & Through & Through, Let Me Down, Maybe We Should Just Go Home, Lightning Bolt [?], Face of the Earth, Light of the Moon, Rollin' Rollin' Rollin', I'm Yours, Natural Disaster, Work Out Fine, Nowhere With You, Extraordinary.
(encore) From the Back of the Film


Stay tuned for day two which has a workshop, more Imaginary Cities, my first time seeing Buck 65 and the insane Elliott BROOD. (Also, better pictures since I remembered the batteries for my actual camera, not just my cell phone snaps)