Stars: Set Yourself On Fire 20th Anniversary @ Vogue Theatre -- October 23, 2024

In 2004, a band from Montréal released what would end up being one of my favourite albums*. Now, 20 years later, Stars are on tour celebrating the anniversary of their seminal record, Set Yourself on Fire, and last night they returned to Vogue Theatre in Vancouver for a sold out show.

Opening for the west coast leg of their tour was an old friend of the band, Kevin Drew. The Broken Social Scene singer came out alone with his acoustic guitar, grateful to be there before starting off with the old KC Accidental instrumental “Residential Love Song”.

A couple songs in, he was joined by fellow BSS-er, David French on sax to accompany him on “Can't Find My Heart”, before launching into “World Sick” as Drew’s voice soared through the room. He chatted between songs, talking about his history with Stars as well as his admiration for Gord Downie, spurred by the recent documentary, even dedicating “Party Oven” off his recent album Aging to Gord’s kids. He switched from guitar to keys with “Sweetest Kill” before squeezing in one more song, “Good Sex” as French jamming along.
Drew is always a captivating performer, whether with a full band or solo, and he had the whole sold out room in a hush during his all-too-short set.

It wasn’t long after that before Torquil Campbell, Amy Millan, Evan Cranley, Chris Seligman, Patrick McGee, and Chris McCarron hit the stage — joined by French on sax and a violinist (who I missed the name of) — and the familiar introduction rang out: When there's nothing left to burn, you have to set yourself on fire.

Though, the show got off to a bit of an auspicious start; mere moments into “Your Ex-Lover is Dead”, Torq stopped cold because he spotted someone near the front in trouble. After passing out some water, and making sure they were okay, the song restarted and kicked off the show with the huge singalong to the perennial favourite, chills going through the room -- and not for the last time.

Celebrating Set Yourself on Fire, Stars went through the entire album track by track, from love & sex to war & death; the gorgeous voice of Milan on “Ageless Beauty” and the playful “First Five Times” to the bitter “One More Night” and the absolutely stirring “He Lied About Death”, the stage lit blood red as the song built to a chaotic finish, Pat going bonkers on drums. Torquil stalked the front of the stage for the anthemic “Soft Revolution”, before the last song of the album (but not the last song of the night, “cos we’re fucking professionals” they joked) as they stepped off mic and Amy conducted the entire theatre to a beautiful singalong of “Calendar Girl”

Honestly, I would have been satisfied if they had ended there, but they promised a few more “bangers”, going into the raw emotion of “Hold On When You Get Love and Let Go When You Give It” and the incredibly danceable “We Don’t Want Your Body”. After teasing they would be back in just a few months time, the band belted out ever-relevant “Take Me to the Riot” followed by another singalong to an old favourite, “Elevator Love Letter” capping off the main set.

But the lights stayed dimmed and they were soon back with the haunting “Dead Hearts” and “The Passenger” dedicated to Torquil’s daughter, niece, and nephew in the crowd, and finally ending the nearly-two-hour set with “From the Night”.

During his opening slot, Kevin Drew talked up his long-time friendship with Stars, saying he had never met a more passionate band. And this night was a perfect example. Even without the tangible proof of Torq stopping the show to make sure someone was okay, you could feel the love pouring off the stage. Love each and every member has for each other, for their music, and espeially for the fans. And a love that the sold out room very much reciprocated.

Stars setlist
Your Ex-Lover is Dead
Set Yourself on Fire
Ageless Beauty
Reunion
The Big Fight
What I’m Trying to Say
One More Night
Sleep Tonight
The First Five Times
He Lied About Death
Celebration Guns
Soft Revolution
Calendar Girl
Hold On When You Get Love and Let Go When You Give It
We Don’t Want Your Body
Capelton Hill
Take Me to the Riot
Elevator Love Letter
(encore)
Dead Hearts
The Passenger
From the Night

Kevin Drew setlist
Residential Love Song
You in Your Were
Can't Find My Heart
World Sick
Party Oven
Sweetest Kill
Good Sex

Sunset Rubdown @ Rickshaw Theatre -- October 10, 2024

Even after last year’s reunion show(s) and a whole brand new album, there’s a part of me that still can’t believe Sunset Rubdown is back. But after the release of Always Happy to Explode a few weeks ago, the band has once again hit the road, starting their tour here in Vancouver at the Rickshaw.

Opening the night was Sister Ray, who I only caught the last few songs of, walking in to singer Ella Coyes’ soft vocals, and a haunting song, before they picked up a guitar for a more upbeat tune. After joking, since we’re friends now they wanted to hear everyone’s secrets (be it at the merch table or over DMs), they capped off with a song that I didn’t catch the name of, but liked the heartfelt lyrics. I’ll definitely have to check out their latest EP Teeth, and keep an ear out for them in the future.

It wasn’t long before Sunset Rubdown flashed on the screens flanking the stage, and the band came out, Spencer Krug and Camilla Wynne both on keys & vocals, Nicholas Merz on bass, and Jordan Robson-Cramer on drums (later joined by Eli browning to fill in on drums when Jordan took over guitar).

Starting with “Worm” off the new album, the band played a set that wove through their catalogue, all the way back to “A Day In The Graveyard II”, with songs ranging from the restrained “Losing Light” to the manic “Snake’s Got A Leg”; sometimes capturing all that in one, like “Shut Up I Am Dreaming Of Places Where Lovers Have Wings”, which went from calm stillness to a thrashing wave, crashing upon the shore and back.

Other highlights included Krug’s distinct vocals blending with Wynne on the seasonally appropriate “Ghoulish Hearts” and the absolute earworm “Reappearing Rat” from the new album, as well as a pair of personal favourites from Random Spirit Lover, the creepy “Winged/Wicked Things” and “The Mending of the Gown” with its ridiculously chaotic energy.

After nearly an hour and a half, the set came to a close with “The Men Are Called Horsemen There”, but after making the crowd work for it, the band was pulled back for an encore with one last song, “Stadiums and Shrines II”, thanking everyone for coming once again.

A couple times throughout the night, the band joked that since it was the first show of the tour, they didn’t have a firm setlist, so would just play everything and people could leave whenever they wanted. I have a feeling that if they did make good on that promise, the room would have been full until the wee hours of the morning (I know I would have stuck around).

setlist
Worm
Snowball
Cliché Town
Silver Moons
Snake’s Got A Leg III
Us Ones In Between
Ghoulish Hearts
Candles
Shut Up I Am Dreaming Of Places Where Lovers Have Wings
A Day In The Graveyard II
Losing Light
Reappearing Rat
Winged/Wicked Things
The Mending of the Gown
The Men Are Called Horsemen There
(encore)
Stadiums and Shrines II

PHOTOS: Rich Aucoin @ Fox Cabaret - October 03, 2024

Rich Aucoin
Fox Cabaret
October 03, 2024

Photos by Christine McAvoy

Click here to read Kirk’s recap!

Rich Aucoin @ Fox Cabaret -- October 03, 2024

This too shall pass, all good thing must come to an end, and other such clichés.

I say this because Rich Aucoin is now on the last tour of his legendary parachute show. A few years ago, Rich announced he would be winding down this version of his live show, now its finally happening. And anyone who’s seen a Rich Aucoin post on this blog before will know how fun they are, so of course there was no way I was going to miss it.

With no opening act, the night started with Rich announcing the plan; first a Synthetic Set, comprised of songs off his latest series of albums of the same name, followed by an intermission, and then the Classic Set.

So it began with Rich behind his synth, trippy patterns flashing on screen behind him, as he started off with “Release”, and then wound through tracks from his Synthetic albums. The instrumentals zipped from dizzying highs to glitchy breakdowns, Rich rarely breaking between songs as they lead seamlessly into each other, whipping the crowd into a dancing storm.

During the break, a photo montage filled the screen, reminiscing of the last decade-plus of shows, accompanied by songs like “Good Riddance”, before a ten minute countdown hit to hype everyone up.

As the timer ticked down to zero, the show began with the usual “trailers”, a series of fun clips, memes, viral videos, and old school Canadiana (House Hippo, anyone?) before the audience summoned the narrator — David Attenborough this year, although past narrators Arnold Schwarzenegger and Michael Caine made cameos. With all that excitement building, it was time for the Feature Presentation, as the opening credits hit, shouting out people in the room with fun facts attached, staring off with Rich telling us we need a “New Nostalgia”.

From there, Rich — joined by phenomenal drummer Tony Dallas — blasted through a set of his high energy, incredibly fun, and often thought provoking tunes, spanning his entire career, from “At War With the Cynics (An Opening)” to “Kayfabe” and everything in-between. He squeezed in as many songs as possible, even doing mashups and medleys, pairing songs with thematic similarities, like “How it Breaks” & “Watching, Wishing, Waiting” or “Four More Years” & “Want to Believe”. Throughout the whole show, the crowd sang with no reservations, as he conducted everyone to shout along with “Undead” and “Brian Wilson is A.L.i.V.E.”, the big screen almost always including lyrics.

Along with those lyrics, the screen behind Rich also featured a selection of visuals, from static images to his music videos, to thematically appropriate clips. He even harkened back to some of his early shows while showing parts of How the Grinch Stole Christmas syncing up to songs like “10,342 Cuts for the US (An Exploding)” from his Personal Publication EP, written to sync up with the animated classic.

As usual, Rich was teeming with energy. When not behind the synth he was bounding across the stage, and often into the crowd to sing with everyone (it’s no wonder he’s retiring the show, I was exhausted just watching!) And the crowd was very much reciprocating that energy, no more evident than during “Are You Experiencing?” as the parachute came out for everyone to dance under, while screaming along “When you give it all up, you get it back”.

The set came to a close with perennial (and personal) favourite “It” but Rich had one last surprise, leaving everyone with a singalong to another fun mashup. But this time not any of his own songs; the tune of “Stand by Me”, accompanied by the lyrics to “All Star”.

And so the set came to a close, with Rich in the middle of the crowd, promising that even though this era is coming to an end, he would definitely be back in a new form, be it his synth show or a brand new experience.

And I can’t wait to see whatever it is.

Elisapie - Uvattini @ Chan Centre -- September 28, 2024

Last night, Elisapie brought the west coast premier of her acclaimed show Uvattini (directed by Émilie Monnet) to Vancouver, thanks to VIFF Live + Chan Centre EXP. The show comes off the heels of the Inuk singer’s latest album, last year’s Inuktitut, which consisted of a handful of of classic song covers translated to Inuktitut and reinterpreted by Elisapie. And was just short-listed for the Polaris Prize!

With no opening act for the evening, the lights dimmed and smoke billowed, as “I Have a Dream” by ABBA played over the speakers and the band took the stage, followed by Elisapie in an ornate coat, launching into a pair of songs off Inuktitut, “Uummati Attanarsimat (Heart of Glass)” and the incredibly fun “Taimangalimaaq (Time After Time)”.

The screen behind her danced with images, often directly related to the songs, or the people who inspired her, and the lights & smoke combined to create an ethereal atmosphere as Elisapie weaved through covers from the new album, as well as some older tunes, with an effortless charm and captivating stage presence. The set ebbed and flowed, exemplified by the high energy finish of “Qanniuguma” leading into “Moi, Elsie” a gorgeous soft song with Elisapie and her guitarist alone on stage, in the spotlight.

Throughout the night, she also told stories, often candid about the inspiration for her songs, a lot about her childhood and family. She talked about writing “Una” for her birth mother; introduced “Sinnatuumait (Dreams)” as the favourite song of her brother, who she lost at a young age; and dedicated an absolutely heart wrenching rendition of “Qimatsilunga (I Want to Break Free)” to one of her cousins who took his own life.

An hour and a half flew by, as the set finished with Elisapie and her band doing an almost entirely a capella “Qaisimalaurittuq (Wish You Were Here)”, joined only by the bass sax. Her beautiful voice lilted throughout the room, as she got everyone to hum along to the end, the crowd continuing as the band left and sax grew softer.

But as the crowd was giving a standing ovation, she returned for a couple more, first professing her adoration for Leonard Cohen before her version of “Taimaa Qimatsiniungimat (Hey, That's No Way to Say Goodbye)”, and finally inviting people up on stage for a big dance party — no doubt a nod to those of her childhood, which she says partially inspired Inuktitut — to the last song of the night, “Inuuniaravit (Born to Be Alive)”.

Uvattini means “home” in Inuktitut, and that was exactly the vibes of the evening. Elisipie made the show feel intimate, inviting us into her home. Not only with her stories, but with the visuals and a soundtrack of her childhood, transporting everyone to Salluit, Nunavik for the evening.

setlist
Uummati Attanarsimat (Heart of Glass)
Taimangalimaaq (Time After Time)
Call of the Moose
Californiamut (Going to California)
Isumagijunnaitaungituq (The Unforgiven)
Sinnatuumait (Dreams)
Wolves Don't Live by the Rules
Qanniuguma
Moi, Elsie
Arnaq
Una
Qimatsilunga (I Want to Break Free)
Qaisimalaurittuq (Wish You Were Here)
(encore)
Taimaa Qimatsiniungimat (Hey, That's No Way to Say Goodbye)
Inuuniaravit (Born to Be Alive)