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Bend Sinister EP Release @ Cobalt -- 10/13/17

October 16, 2017 by Kirk Hamilton in live shows

With a brand new EP out in the world, Bend Sinister is hitting the road, starting with a show at the Cobalt in Vancouver last Friday. 

I caught most of the set from opener Crystal Eyes, with their shoegazey dream pop. Singer Erin Jenkins joked about hitting the crowd with all the feelings, as their moody songs kind of blended together. But near the end of the set they kicked it up for a couple more high energy songs, which I quite liked, and made me want to keep an eye out for them in the future. 

From there, it was time for Bend Sinister to celebrate their new release, with singer Dan Moxon on keys, guitarist Joseph Blood, Matt Rhode on bass, and drummer Dicky Neptune were joined by JP Maurice on, well, everything else. 

They started off with some songs from the new EP, including the rollicking "Move A Little Slower", the intense "Get Along", and the bombastic title track "Walk The Other Way", before moving on to something of a band retrospective, Dan saying they'd be playing one song from each of their albums. Starting with the earliest, the title track from Through the Broken City all the way up to '014's Animals with "Best Of You", and including some of my favourites like "Time Breaks Down" and "Things Will Get Better", which started out with Dan alone on the keys before the rest of the band joined in as the song burst forth with its cautious optimism.

From there, they threw in a couple brand new songs, but also the instant-classic sing-along "Rock N Roll" from the new EP, before ending the set with a cover of Three Dog Night's "Joy to the World" -- a song they recently played as part of a set where they played songs from the Forrest Gump Soundtrack at the Vancouver Fringe Festival. 

Of course, they weren't quite done, coming back for one more song, another brand new one, this time one no one had heard before, a bit of a love song called "I Do" that rocked its way to the end of the night. 

I've said before that Bend Sinister was one of the first local bands I saw as I was getting "into the scene" and they remain one of my favourites, especially to watch live, with an unmatched energy & sound that could fill arenas. 

October 16, 2017 /Kirk Hamilton
bend sinister, crystal eyes, cobalt
live shows
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An Evening with Feist @ Commodore -- 10/02/17

October 03, 2017 by Kirk Hamilton in live shows

Somehow it's been nine years since I last saw Feist perform live -- so long that the last time I saw her predates this very blog. So I was happy to fix that while spending An Evening With Feist as she toured her Polaris short-listed album Pleasures (well, the second of two evenings with Feist, really, as she was at the Vogue the previous night). 

With no opening act, Feist came on stage with an undeniable and effortless confidence, having the crowd rapt from the first notes of "Pleasure" as she played the entire new album front to back, promising the highs and lows of love & heartbreak. 

Backed by Amir Yaghmai on keys and violin, Todd Dahlhoff on bass, and Lucky Paul Taylor on drums, Feist was clearly having fun, while she made jokes & chatting between songs, slipped local references into the lyrics, and even took a moment mid-set to give Broken Social Scene bandmate Kevin Drew a call, speakerphone held up to the mic so we could all hear (and challenged him to make the same call when their places were swapped and she was on the east coast while BSS was playing the Commodore). 

Highlights from the first half of the set included one of my favourites from the album, "Any Party", a sweet song with a few ad libbed lines toward the end, and "Century" with the disembodied voice of Jarvis Cocker doing his spoken word portion of the song as the simmering energy bubbled over for an intense ending. 

You would think after about an hour, once she wrapped up the album with "Young Up", that would be the end of the main set. But she went right in to a selection of older tracks, starting with the aptly titled "A Commotion", playing nearly another hour of older favourites, like "Sealion Woman" which had the crowd chanting along, and a bit of a revised version of "I Feel It All".

She ended the main set on a bit of a heartbreak, but also with a twinge of humour, saying she had been told this next was used as the first dance at weddings. With a smirk, she made sure we really paid attention to the lyrics, causing a few chuckles through the crowd as everyone listened intently to of one of the best breakup songs of the '00s, "Let It Die". 

Once again, I thought that might have been the end, and it would have been satisfying, but she was back out for a well-earned encore, alone with her guitar for an acoustic "Mushaboom" with a giant singalong, and then a reworked, slowed down version of "1234". But the crowd was still clamouring for more, as Feist came right back out for a second encore and fielded a request for "Secret Heart". She joked she may not quite remember all of the words, but any time she hesitated, the crowd was right there to remind her, singing along. Then after two and a half hours, she ended it for real with one last song, "Gatekeeper". 

Feist is an amazing performer with an amazing voice, and no doubt this will end up as a favourite show of the year. Now, hopefully it just won't be another nine years... 

setlist
Pleasure
I Wish I Didn't Miss You
Get Not High, Get Not Low
Lost Dreams. 
Any Party
A Man Is Not A Song
The Wind
Century
Baby Be Simple
I'm Not Running Away
Young Up
A Commotion
My Moon My Man
Sealion Woman
The Bad In Each Other
Caught A Long Wind
Feel it All
Let it Die
(encore)
Mushaboom
1234
(second encore)
Secret Heart
Gatekeeper

October 03, 2017 /Kirk Hamilton
feist, commodore
live shows
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  Parker Bossley @ Fortune Christine McAvoy Photography

Parker Bossley @ Fortune
Christine McAvoy Photography

  Parker Bossley @ Fortune Christine McAvoy Photography

Parker Bossley @ Fortune
Christine McAvoy Photography

  Parker Bossley @ Fortune Christine McAvoy Photography

Parker Bossley @ Fortune
Christine McAvoy Photography

  Ashleigh Ball @ Fortune Christine McAvoy Photography

Ashleigh Ball @ Fortune
Christine McAvoy Photography

  Ashleigh Ball @ Fortune Christine McAvoy Photography

Ashleigh Ball @ Fortune
Christine McAvoy Photography

  Ashleigh Ball @ Fortune Christine McAvoy Photography

Ashleigh Ball @ Fortune
Christine McAvoy Photography

  Ashleigh Ball @ Fortune Christine McAvoy Photography

Ashleigh Ball @ Fortune
Christine McAvoy Photography

  Ashleigh Ball @ Fortune Christine McAvoy Photography

Ashleigh Ball @ Fortune
Christine McAvoy Photography

  Parker Bossley @ Fortune Christine McAvoy Photography    Parker Bossley @ Fortune Christine McAvoy Photography    Parker Bossley @ Fortune Christine McAvoy Photography    Ashleigh Ball @ Fortune Christine McAvoy Photography    Ashleigh Ball @ Fortune Christine McAvoy Photography    Ashleigh Ball @ Fortune Christine McAvoy Photography    Ashleigh Ball @ Fortune Christine McAvoy Photography    Ashleigh Ball @ Fortune Christine McAvoy Photography

PHOTOS: Ashleigh Ball, Parker Bossley @ Fortune - September 29, 2017

October 03, 2017 by Christine McAvoy in Weekly Photo Roundup

Ashleigh Ball, with Parker Bossley @ Fortune Sound Club
September 29, 2017
Photos by Christine McAvoy

October 03, 2017 /Christine McAvoy
ashleigh ball, hey ocean, parker bossley, the gay nineties, fortune, fortune sound, christine mcavoy photography, live music photography, live music
Weekly Photo Roundup
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The New Pornographers @ Commodore -- 09/29/17

October 02, 2017 by Kirk Hamilton in live shows

Hometown heroes The New Pornographers returned to the Commodore Ballroom this weekend touring their new album Whiteout Conditions. The bad news is, Neko Case wasn't on the tour (I don't think I've seen her perform with the band since 2011, sadly) but the good news is, we did get an appearance from Dan Bejar. I don't think he was with them for the full tour, but living in Vancouver has its perks as he popped in for a few of his songs. 

The seven members came on stage and launched immediately into "The Jessica Numbers" off Twin Cinema, before the title track for Whiteout Conditions, for a set that spanned all seven albums. The power pop hit hard with AC Newman's voice blending nicely with Kathryn Calder, not only singing her own songs but filling in nicely for Case's parts. This was also the first time I had seen the band with touring member Simi Stone on violin, who also provided backing vocals, and stepping into the spotlight for "Play Money". In true Bejar fashion, he would only pop out for his songs, but immediately captivated the crowd who was happy to see him there. 

The rarely-played (according to Newman after the song) "Myriad Harbour" got over huge with the packed room, and other highlights of the set included the soaring "High Ticket Attraction", the explosive "Dancehall Domine", and the classic "Testament To Youth In Verse", witheveryone's voice soaring together singing "No no no..."
As they finished the main set with the bombastic "Mass Romantic", I was slightly disappointed they didn't play either of two particular songs... until they started the encore with Kathryn Calder's beautiful and heartbreaking vocals on "Adventures in Solitude", and then ended the night with not just one of my favourite New Pornos songs, but one of my favourites period, "The Bleeding Heart Show". The cacophonous rise to an emotional crescendo was a perfect way to end the night. 

 

setlist
The Jessica Numbers
Whiteout Conditions
Myriad Harbour
Dancehall Domine
Moves
The Laws Have Changed
High Ticket Attractions
War On the East Coast
Champions of Red Wine
All the Old Showstoppers
This is the World of the Theatre
Spanish Techno
Colosseums
Jackie, Dressed in Cobras
Play Money
Sweet Talk, Sweet Talk
Use It
Avalanche Alley
Testament to Youth in Verse
Mass Romantic
(encore)
Adventures in Solitude
Brill Bruisers
The Bleeding Heart Show

October 02, 2017 /Kirk Hamilton
the new pornographers, commodore
live shows
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  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

Elliott Brood @ Commodore Ballroom
Christine McAvoy Photography

  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

Elliott Brood @ Commodore Ballroom
Christine McAvoy Photography

  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

Elliott Brood @ Commodore Ballroom
Christine McAvoy Photography

  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

Elliott Brood @ Commodore Ballroom
Christine McAvoy Photography

  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

Elliott Brood @ Commodore Ballroom
Christine McAvoy Photography

  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

Elliott Brood @ Commodore Ballroom
Christine McAvoy Photography

  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

Elliott Brood @ Commodore Ballroom
Christine McAvoy Photography

  Elliott Brood @ Commodore Ballroom Christine McAvoy Photography    Elliott Brood @ Commodore Ballroom Christine McAvoy Photography    Elliott Brood @ Commodore Ballroom Christine McAvoy Photography    Elliott Brood @ Commodore Ballroom Christine McAvoy Photography    Elliott Brood @ Commodore Ballroom Christine McAvoy Photography    Elliott Brood @ Commodore Ballroom Christine McAvoy Photography    Elliott Brood @ Commodore Ballroom Christine McAvoy Photography

PHOTOS: Elliott Brood @ Commodore - September 28, 2017

October 02, 2017 by Christine McAvoy in Weekly Photo Roundup

Elliott Brood @ The Commodore Ballroom
September 28, 2017
Photos by Christine McAvoy
---
Read Kirk's review HERE

October 02, 2017 /Christine McAvoy
elliott BROOD, commodore ballroom, christine mcavoy photography, live music, live music photography, live show, live photos
Weekly Photo Roundup
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