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photo by Zach Hertzman

Song(s) of the Day: October 29, 2019 - "Disco Ball" & "One Lost Time" by Little Scream

October 29, 2019 by Christine McAvoy in Song Of The Day

The last of my double-song posts this week is two tracks from Little Scream’s newly released album Speed Queen. (Of which, I have not been at getting these out on time).

”Disco Ball” came from a chance find of a ‘flying-V’ guitar she managed to spot while driving in Illinois, and on which she wrote this album, which is a reflection on class and poverty in America.

”One Lost Time” came out around Canadian Thanksgiving and Columbus day, as she wanted to discuss the fact (and why) she included the indigenous territories upon which she recorded the album.

“Speed Queen was recorded on unceded Algonquin, Anishinabek territory in Studio Quyon, on land of the K’ómoks and Tla’amin Nation in Studio Hidden Well, and in studios Skybarn, Mixart, and The Bridge on traditional territory of the Kanien’kehá:ka.”

The full album was released on October 25th and we don’t have tour dates yet, but I’ve got my fingers crossed.

October 29, 2019 /Christine McAvoy
little scream, disco ball, one lost time, speed queen, song of the day, songs of the day
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photo by Lovisa Drever

Song(s) of the Day: October 28, 2019 - "Hold The Bow" & "Let Me Wear The Mask" by Woolworm

October 28, 2019 by Christine McAvoy in Song Of The Day

Just under two weeks until Woolworm release their LP titled Awe. (Nov 8th)

Honestly if I were more eloquent, I might be able to describe Woolworm’s sound to you as it’s both a combination of so many styles, but 100% it’s own thing.

Basically you’ll just have to listen to the two tracks that have been released, “Hold The Bow” and “Let Me Wear The Mask” below and see where you’d place them. Either way, it’s exactly what I’m in the mood for this Monday morning.

And then you can check them out at their record release show on November 15th at the Red Gate Society in Vancouver!

October 28, 2019 /Christine McAvoy
woolworm, let me wear the mask, hold the bow, song of the day, songs of the day
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photo by Robbie Jeffers

Song(s) of the Day: October 27, 2019 - "Blackout" and "It's All Happening" by Sam Weber

October 27, 2019 by Christine McAvoy in Song Of The Day

Sam Weber’s new album Everything Comes True, was just released a few days ago!

I’m still catching up (we’re going to have a few more double-song days of our SOTD column) so here are two of the tracks: “Blackout” and “It’s All Happening”.

Sam is going to be in Vancouver in just over a week, on November 5th at the Biltmore with Terra Lightfoot (whom he has previously collaborated on a song with, so I expect to hear that one live!).

October 27, 2019 /Christine McAvoy
sam weber, song of the day, songs of the day, blackout, it's all happening, everything comes true
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photo by Levi Manchak

Song(s) of the Day: October 26, 2019 - "ôtênaw" & "disappear" by nêhiyawak

October 26, 2019 by Christine McAvoy in Song Of The Day

Okay, Kirk’s been posting the Song Of The Day posts for about a month now since I’ve been travelling to Toronto for Polaris, and Whitehorse for Break Out West, and now I’m playing catch-up on the ones that he hasn’t covered yet.

Speaking of Break Out West, I saw nêhiyawak at last year’s BOW in Kelowna and was blown away. Well, they just released their latest album nipiy on Thursday, and I’ve got TWO songs from the record for you today: "ôtênaw" & "disappear".

I’m really looking forward to the next time I get to see them perform live - the next chance in Vancouver is at the Museum Of Anthropology on December 5th!

October 26, 2019 /Christine McAvoy
nehiyawak, otenaw, disappear, song of the day, songs of the day, nipiy
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Song of the Day: October 25, 2019 - "‘Til We Disappear" by Tourist Company

October 25, 2019 by Kirk Hamilton in Song Of The Day

We’ve had a few peeks at the upcoming album from Tourist Company, and the latest is a track inspired by a deeply personal life event, “‘Til We Disappear”. The story is a rollercoaster of emotion, so I’m just going to let singer-songwriter, Taylor Swindells tell it:

“This was the last song written for this record and it’s a little bit of an aside from the rest of the album. I wasn’t intending on writing any more songs for this project but life had other plans. I’d just come home from tour when my partner sat me down and told me she wasn’t pregnant – which was kind of a strange way to start a conversation. I remember my heart leaping into my throat not really being certain what was going to happen next. She told me that her doctor didn’t know what was wrong with her – she was eight weeks late and had taken two pregnancy tests herself, but the doctor’s test had come back negative. She was categorically not pregnant. This left two options that were both terrifying: either she could never have kids, or she had uterine cancer and we had no way of knowing if or how much it had spread. I wrote this song pretty shortly after that conversation, trying not to freak out but knowing that I loved her more than anything and that was never going to change.
Moments like that bring a lot of clarity to what actually matters. Without those terrifying events, it’s hard to know how deep anything in life really is. All I wanted right then and there was for her to know that I loved her no matter what and that was never going to change. Two weeks later after another doctor’s test we found out that she was actually just pregnant the whole time, which was the BIGGEST relief. We still don’t know what medically happened but we’re very happy to be parents now.
Even though this song wasn’t originally set within the world of the new album, it seemed like a fitting way to end a record about processing bad news. I felt all the stages of this album in those two weeks when our world was turned upside down, but the truth was, all that mattered was ‘I will love you ‘til we disappear’.”

The new album comes out early next year, but you might be able to catch a preview of it next week at the Biltmore, where they are opening for Rich Aucoin… on Hallowe’en!

October 25, 2019 /Kirk Hamilton
tourist company, til we disappear
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photo credit Kirsten Huculiak

Song of the Day: October 24, 2019 - "Song In My Head" by We Are The City

October 24, 2019 by Kirk Hamilton in Song Of The Day

“We Are The City finally wrote a chorus after 12 healthy years.” is what the trio from Kelowna joked shortly after the release of their latest single. But in all seriousness: what a damn chorus it is.

Shortly after 2018’s AT NIGHT was released, the band started hinting at another new album, a companion piece called RIP. And while it may have been a little longer than expected* we finally heard the first sounds of it — and the aforementioned chorus — recently with “Song In My Head”.

The album is a “prog-pop counterpoint to AT NIGHT's more experimental exploration” and will be out early next year, but have a listen below!

*They did release an award-winning movie between the two albums called Ash, which you can see the trailer for here, and I would highly recommend it.

October 24, 2019 /Kirk Hamilton
song in my head, rip, we are the city
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CREDIT: Devin McLean

Song of the Day: October 23, 2019 - "Let There Be Love" by Matt Mays

October 23, 2019 by Kirk Hamilton in Song Of The Day

Just ahead of his Howl at the Night tour (which kicked off earlier this week), Matt Mays released a brand new song, “Let There Be Love”.

The new song was an unexpected change of pace from Mays, but certainly not an unwelcome one. “Let There Be Love” has a bouncy, dancey vibe to it, and Mays says "I feel like a lot of people around me have been feeling a little lost and scared lately. I’ve been feeling the same way. It breaks my heart to see such true people sad. This new song 'Let There Be Love' is about finding the courage to love yourself blindly and learning to accept this self-love trustingly. It’s a dream of letting the bad things be and just basking in the beauty of this little weird thing we call life."

Have a listen below, and make sure you’re there to hear it LIVE tonight, when he plays the Vogue with Skye Wallace!

October 23, 2019 /Kirk Hamilton
matt mays, let there be love
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Song of the Day: October 22, 2019 - "How Many Times" by Debra-Jean Creelman

October 22, 2019 by Kirk Hamilton in Song Of The Day

I feel like it’s been a while since we heard anything from Vancouver singer Debra-Jean Creelman, so I was happy to see a new song pop up in my inbox earlier this month.

“How Many Times,” the first single from her upcoming EP, Triggers & Mirrors, and “is about freeing myself from the traditional restrictions and societal obligations of being a woman and not passing on the programs and patterns I inherited to a child of my own.”

Her incredible voice soars over the building electro-pop, which she says was a “true collaboration” between herself, co-writer and producer James Meger, producer/engineer Jesse Zubot (Tanya Taqaq), and vocalist and creative collaborator Molly Guldemond (her former Mother Mother bandmate).

October 22, 2019 /Kirk Hamilton
debra jean creelman, triggers and mirrors, how many times
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